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Showing posts with label hollywood movie. Show all posts
Showing posts with label hollywood movie. Show all posts

Tuesday, 30 November 2010

NEW MOVIE ''Love And Other Drugs''

Maggie is a free spirit, who flatly refuses to let life pin her down. But then she meets Jamie (Gyllenhal), a man who has incredible charm and the good looks to match, which is enough to turn Maggie's head.Love-And-Other-Drugs-04
Love-And-Other-Drugs-05

It turns out Jamie's a pharmaceutical salesman. Specifically, he sells a viagra-like drug. And while the pair are surprised at their sudden relationship, they find themselves falling under the spell of another drug entirely - the love drug!

Friday, 5 February 2010

New Movie 'From Paris With Love '



From Paris With Love is a volatile hybrid, half Hong Kong action flick, half American spy thriller, fused together in the Dr. Moreau-like laboratory of French filmmakers Luc Besson (The Fifth Element) and Pierre Morel (Taken). As a result of the violent process, some parts emerge oddly distorted: Bruce Willis becomes John Travolta, Matt Damon becomes Jonathan Rhys Meyers, believability becomes an afterthought, and plotting becomes irrelevant.

Made up like Ming the Merciless and channeling the hep-cat spirit of Vincent Vega, Travolta stars as CIA Agent Charlie Wax, a brusque, trigger-happy bundle of Yankee hubris summoned to Paris to prevent a potential terrorist plot on a U.N. peace conference. Rhys Meyers plays James Reese, an uptight entry-level operative tasked with ferrying Wax around the city to gather the intelligence needed to thwart the conspiracy.

Predictably, the two agents quickly settle into the standard buddy cop relationship: Button-down rookie Reese is appalled by coke-snorting, hooker-banging Wax’s unorthodox tactics, which usually land them in the middle of one huge, stunningly choreographed shootout or another; Wax, in turn, belittles his young sidekick’s naivety and stubborn adherence to protocol.

At times Travolta’s action-hero routine borders on embarrassing —

Channing Tatum and Amanda Seyfried in Screen Gems' 'Dear John'
like watching your grandmother try to rap — but his exaggerated bravado is not entirely without its charms. He’s by far the most enjoyable part of the movie, skipping merrily through the bullet-strewn Parisian underground, spewing politically incorrect aphorisms in between explosions, reveling in his role as the obnoxious American. Virtually every line he delivers earns laughs — and often on purpose.

If only he had a more capable sparring partner than Rhys Meyers, whose range, From Paris With Love sadly reveals, extends little beyond his petulant, amorous act as young Henry VIII in Showtime’s The Tudors. As much as Travolta enlivens the action, the unutterably bland Rhys Meyers deflates it — and he gets the lion’s share of the screen time, unfortunately.

Director Morel, who cut his teeth as a cinematographer on such kinetic action fare as The Transporter, does some virtuoso work with the camera, incorporating everyday locales into his exquisitely frenzied set pieces. Dinner at a nondescript Chinese restaurant ends in a massive gunfight; an intimate dinner party launches an extended chase; a routine brothel visit gives way to ... another massive gunfight.

Wednesday, 3 February 2010

Avatar vs. Titanic



On January 25, 2010, Avatar became the world’s highest-grossing film of all time, surpassing the $1.843 billion record set by 1997’s Titanic. Six days later, its global tally reached the heretofore unthinkable $2 billion mark. This week, James Cameron’s big blue juggernaut has yet another milestone in its sights: Titanic’s domestic box office record of $600.8 million.

If all goes as expected, Avatar will claim the domestic box office crown sometime later today, in only its 47th day of release. By comparison, it took 286 days for Titanic, riding a slowly-cresting wave of repeated viewings by throngs of shrieking girls, to amass such a staggering sum.

Sunday, 31 January 2010

Avatar's Oscar Shot



Two weeks after her Iraq-war drama was shut out at the Golden Globes, the Hurt Locker director beat out ex-hubby James Cameron for the top prize Saturday at the 62nd Annual Directors Guild of America Awards, the first time a woman has ever won the prestigious honor.

"This is the most incredible moment of my life," Bigelow, 58, said. "This is amazing. I'm so deeply stunned, honored and awed."

The DGA prize is one of the most accurate Oscar predictors, having accurately presaged the Academy Award-winning Best Director all but six times in 61 years.

Meanwhile, Louie Psihoyos won the prize for documentary direction for The Cove, while screen stalwart Norman Jewison (Moonstruck, ...And Justice for All) received the guild's top honor, the Lifetime Achievement Award.

Thursday, 21 January 2010

Avatar leads Baftas



District 9 has seven nominations; Inglourious Basterds and Up in the Air have six nominations apiece; and Coco Before Chanel, Nowhere Boy, Precious: Based on the Novel Push by Sapphire and Up each receive four nominations at the Orange British Academy Film Awards.

Avatar received nominations for Best Film, while James Cameron has a nod in the Director category.

An Education is also in the running for Best Film, vying against The Hurt Locker, Precious: Based on the Novel Push by Sapphire and Up In The Air.

The Leading Actor category sees Hollywood heart-throb and Up In the Air star George Clooney pitted against Colin Firth for A Single Man, Andy Serkis for Sex & Drugs & Rock & Roll, Jeremy Renner for The Hurt Locker and Jeff Bridges for Crazy Heart.

The Leading Actress category will be fought out between Carey Mulligan for An Education, Saoirse Ronan for The Lovely Bones, Gabourey Sidibe for Precious, Meryl Streep for Julie and Julia and Audrey Tautou for Coco Before Chanel.

An Education, a coming-of-age story based on the memoirs of journalist Lynn Barber, also has a nod in the Outstanding British Film category, as does In The Loop, the movie spin-off of the BBC's political comedy The Thick Of It.

Fish Tank, Nowhere Boy and Moon round off the list.

Cameron will battle it out on the director shortlist with his ex-wife Kathryn Bigelow, for The Hurt Locker, the acclaimed Iraq war drama about an elite team of bomb disposal experts.

Also competing for a director gong are Quentin Tarantino for Inglourious Basterds, Lone Scherfig for An Education, and Neill Blomkamp for alien film District 9.

Monday, 18 January 2010

2010 Golden Globe Award Winners




A complete list of winners for the 67th annual Golden Globe Awards, announced Sunday in Beverly Hills, Calif.:

MOTION PICTURES:
--Picture, Drama: “Avatar.”
--Picture, Musical or Comedy: “The Hangover.”
--Actor, Drama: Jeff Bridges, “Crazy Heart.”
--Actress, Drama: Sandra Bullock, “The Blind Side.”
--Director: James Cameron, “Avatar.”
--Actor, Musical or Comedy: Robert Downey Jr., “Sherlock
Holmes.”
--Actress, Musical or Comedy: Meryl Streep, “Julie & Julia.”
--Supporting Actor: Christoph Waltz, “Inglourious Basterds.”
--Supporting Actress: Mo’Nique, “Precious: Based on the Novel
`Push’ by Sapphire.”
--Foreign Language: “The White Ribbon.”
--Animated Film: “Up.”
--Screenplay: Jason Reitman and Sheldon Turner, “Up in the
Air.”
--Original Score: Michael Giacchino, “Up.”
--Original Song: “The Weary Kind” (theme from “Crazy Heart”),
(written by Ryan Bingham, T Bone Burnett).
TELEVISION:
--Series, Drama: “Mad Men,” AMC.
--Actor, Drama: Michael C. Hall, “Dexter.”
--Actress, Drama: Julianna Margulies, “The Good Wife.”
--Series, Musical or Comedy: “Glee,” Fox.
--Actor, Musical or Comedy: Alec Baldwin, “30 Rock.”
--Actress, Musical or Comedy: Toni Collette, “United States of
Tara.”
--Miniseries or Movie: “Grey Gardens,” HBO.
--Actor, Miniseries or Movie: Kevin Bacon, “Taking Chance.”
--Actress, Miniseries or Movie: Drew Barrymore, “Grey Gardens.”
--Supporting Actor, Series, Miniseries or Movie: John Lithgow,
“Dexter.”
--Supporting Actress, Series, Miniseries or Movie: Chloe Sevigny,
“Big Love.”

James Cameron’s ‘Avatar’ Wins Big At Golden Globes



The science-fiction blockbuster “Avatar” won best drama at the Golden Globes and picked up the directing honor for James Cameron on Sunday, raising the “Titanic” filmmaker’s prospects for another Academy Awards triumph.

It was a repeat of Cameron’s Globes night 12 years ago, when “Titanic” won best drama and the directing prize on its way to dominating the Oscars.

This time, though, instead of being “king of the world,” as Cameron declared at the Oscars, he has become king of an alien landscape, elevating space fantasy to enormous critical acclaim.

”‘Avatar’ asks us to see that everything is connected, all human beings to each other, and us to the Earth. And if you have to go four and a half light years to another, made-up planet to appreciate this miracle of the world that we have right here, well, you know what, that’s the wonder of cinema right there, that’s the magic,” Cameron said.

Winning the dramatic-acting honors were Sandra Bullock for the football tale “The Blind Side” and Jeff Brides for the country-music story “Crazy Heart.” The crowd gave a standing ovation to Bridges, a beloved veteran generally overlooked for key Hollywood honors.

The acting prizes for musical and comedy went to Meryl Streep for the Julia Child story “Julie & Julia” and Robert Downey Jr. for the crime romp “Sherlock Holmes.” The supporting-performance Globes were won by Mo’Nique as an abusive welfare mother in “Precious” and Christoph Waltz as a gleefully bloodthirsty Nazi in “Inglourious Basterds.”

The Vegas bachelor bash “The Hangover” won for best musical or comedy, bringing uncharacteristic awards attention for broad comedy, a genre that often gets overlooked at Hollywood honors.

“I just want to thank my mom, who supported my decision to become a director when she realized I wasn’t as smart as my two sisters,” said “Hangover” director Todd Phillips.

As he accepted the directing Globe, Cameron had kind words for ex-wife Kathryn Bigelow, nominated as best director for “The Hurt Locker.”

“Frankly, I thought Kathryn was going to get this. She richly deserves it,” said Cameron, whose “Titanic” earned the directing and best-drama Globes 12 years ago on its way to Academy Awards triumph.

The blockbuster “Up” came away with the award for animated film.

While Streep is a perennial at awards shows, the prize marked a dramatic turning point for Mo’Nique, who was mainly known for lowbrow comedy but startled audiences with her ferocious performance in “Precious: Based on the Novel `Push’ By Sapphire.”

“First let me say, thank you, God, for this amazing ride that you’re allowing me to go on,” the tearful Mo’Nique told the crowd.

She went on with gushing praise for “Precious” director Lee Daniels and newcomer Gabourey Sidibe, a best dramatic actress nominee at the Globes with her first film role, playing Mo’Nique’s abused, illiterate daughter.

“Lee Daniels, the world gets a chance to see how brilliant you are. You are a brilliant, fearless, amazing director who would not waver, and thank you for trusting me,” Mo’Nique said. “To Gabby, sister, I am in awe of you. Thank you for letting me play with you.”

Streep’s competition for best actress in a musical or comedy included herself. She also was nominated for the romance “It’s Complicated.”

“I just want to say that in my long career, I’ve played so many extraordinary woman that I’m getting mistaken for one,” Streep said. “I’m very clear that I’m the vessel for other people’s stories and other people’s lives.”

Waltz, a veteran Austrian actor who is a relative newcomer in Hollywood, won the supporting-actor Globe as a gleefully
bloodthirsty Nazi in Quentin Tarantino’s “Inglourious Basterds.”

“A year and a half ago I was exposed to the gravitational forces of Quentin Tarantino,” Waltz said. “He took my modest little world, my globe, and with the power of his talent and his words and his vision, he flung it into its orbit, a dizzying experience.”

Though one of Hollywood’s biggest parties, the Globes bore somber reminders of tragedy in the real world, many stars wearing ribbons in support of earthquake victims in Haiti.

Films from Pixar Animation, the Disney outfit that made “Up,” have won all four prizes for animated movies since the Globes introduced the category in 2006. Past Pixar winners are “WALL-E,” “Ratatouille” and “Cars.”

“Up” features the voice of Ed Asner in a tale of a lonely, bitter widower who renews his zest for adventure by flying his house off under helium balloons to South America, where he encounters his childhood hero and a hilarious gang of talking canines.

“When it came to finding the heart of the film, we didn’t have to look very hard,” said “Up” director Pete Docter, whose film also won for musical score. “Our inspiration was all around us. Our grandparents, our parents, our wives, our kids. Our talking dogs.”

Jason Reitman and Sheldon Turner won the screenplay honor for “Up in the Air,” which Reitman also directed. The
foreign-language honor went to “The White Ribbon,” a stark drama of guilt and suspicion set in a German town on the eve of World War I.

“Mad Men” won for best TV drama, while Michael C. Hall won for best actor in a TV drama for “Dexter,” in which he plays a serial killer with a code of ethics, killing only other murderers. Hall’s publicists revealed this past week that Hall is being treated for Hodgkin’s lymphoma and that the cancer is in remission.

“It’s really a hell of a thing to go to work in a place where everybody gives a damn. That’s really the case with `Dexter,”’ Hall said. “It’s a dream job. I’m so grateful.”

“Dexter” also won the supporting-actor TV honor for John Lithgow. Other TV winners included Juliana Margulies as best actress in a drama for “The Good Wife” and Toni Collette as best comedy actress for “The United States of Tara.”

The rain-drenched red carpet was a rare sight for an awards show in sunny southern California, stars in their finery getting damp under umbrellas as storms swept the region.

The Globes got a makeover, featuring Ricky Gervais as master of ceremonies, the first time in 15 years the show had a host.

One of his most biting quips came as he sipped a beer on stage.

“I like a drink as much as the next man, unless the next man is Mel Gibson,” Gervais wisecracked as he introduced Globe presenter Mel Gibson, who made an anti-Semitic rant a few years back during a drunken-driving arrest.

Gervais opened by mocking Steve Carell, star of the U.S. version of “The Office,” based on Gervais’ British comedy series. While a stone-faced Carell watched, Gervais yammered on about how fans love Carell and wonder where he gets his ideas from.

Carell then mouthed and pantomimed, “I will break you,” to Gervais, an executive producer on the U.S. version of the show.

Gervais joked about the international causes near and dear to Hollywood stars.

“You can be a little Asian child with no possessions and see a picture of Angelina Jolie and you think, `mommy,”’ he said.

With stars sharing dinner and drinks, the Globes traditionally are a loose and relaxed affair compared to the courtly Oscars.

Celebrities sometimes are caught more in reality-show mode — Jack Nicholson once mooned the crowd for a laugh, and Christine Lahti had to rush from the restroom to collect her Globe for the TV drama “Chicago Hope.”

Sunday’s winners could get a last-minute boost for the Oscars, whose nominations balloting closes Saturday. Last year’s big Globe winner, “Slumdog Millionaire,” went on to dominate the Oscars.

The Globes are presented by the Hollywood Foreign Press Association, a group of about 90 reporters covering show business for overseas outlets. The show airs live on NBC.

Saturday, 16 January 2010

Spider-Man 4 Canned



Sony Pictures have released a statement confirming that the current Spider-Man franchise - at only ten years old - is being dumped in favour of a revamped origin story.

The studio also announced the news on Twitter; "Spider-Man: Summer 2012: Peter Parker is going back to high school when the next Spider-Man hits theaters in the summer of 2012."

It's fair to say our Spidey sense has been tingling recently, with rumours of script rewrites and discrepancies between the comics series' director, Sam Raimi, and the studio circulating for a while, but it was last week's news that the release date had been shuffled around that truly had us worried.

Raimi is said to have been concerned about the scheduled 2011 release date, and left the project on the basiss that he couldn't keep the movie's integrity while achieving a relatively quick release, although he hasn't publically blamed anyone for the fiasco.

“Working on the Spider-Man movies was the experience of a lifetime for me," Raimi said in a statement released to the press.

"While we were looking forward to doing a fourth one together, the studio and Marvel have a unique opportunity to take the franchise in a new direction, and I know they will do a terrific job.”

Tobey Maguire, meanwhile, told Deadline.com: “I am so proud of what we accomplished with the Spider-Man franchise over the last decade. Beyond the films themselves I have formed some deep and lasting friendships. I am excited to see the next chapter unfold in this incredible story.”"

New Karate Kid Trailer


It's fair to say that we weren't very optimistic when we heard about the plans to remake The Karate Kid, particularly when 11-year-old Jaden Smith was cast in the role that was originally played by then-23-year-old Ralph Macchio.

But on first viewing of the trailer, it seems there's hope yet.

Jackie Chan's found some acting presence to go with his ridiculously fast moves, while Jaden Smith looks like he might acquit himself as the child who struggles to settle in his new home.

The action scenes look punchy, the bullies look suitably evil, and the fact that Chan actually knows what he's doing (go back and watch the 1984 version again and look at Mr Miyagi's old man moves) will be to the movie's advantage.

Sure, there doesn't appear to be any Banarama on the soundtrack, and there are few nods to director John G. Avildsen's 1984 original, but it does look like it'll remain true to the formula. And at the age of 11, it's unlikely Smith will be 30 by the time they make a trilogy.

Friday, 15 January 2010

Golden Globes 2010 Nominations


The nominations for The Golden Globes 2010 have been announced - see below for a full list those vying for the prizes, and when you can see the awards

WHEN TO WATCH

Golden Globes Red Carpet Live - Sunday 17th January - 11pm

Golden Globes Ceremony Live - Monday 18th January - 1am - Sky Movies Premiere HD (and Sky Movies Premiere)

Golden Globes Ceremony Repeat - Monday 18th - 3.30pm - Sky Movies Drama HD (and Sky Movies Drama)

Golden Globes Highlights - Monday 18th January - 10pm - Sky1


Best Motion Picture -- Drama

Avatar
The Hurt Locker
Inglourious Basterds
Precious
Up In The Air

Best Performance by an Actress in a Motion Picture -- Drama

Emily Blunt, The Young Victoria
Sandra Bullock, The Blind Side
Helen Mirren, The Last Station
Carey Mulligan, An Education
Gabire Sadibe, Precious

Best Performance by an Actor in a Motion Picture -- Drama

Jeff Bridges, Crazy Heart
George Clooney, Up In The Air
Colin Firth, A Single Man
Morgan Freeman, Invictus
Tobey Maguire, Brothers

Best Motion Picture -- Musical or Comedy

500 Days of Summer
The Hangover
It's Complicated
Julie & Julia
Nine

Best Performance by an Actress in a Motion Picture -- Musical or Comedy

Sandra Bullock, The Proposal
Marion Cotillard, Nine
Meryl Streep, It's Complicated
Meryl Streep, Julie and Julia
Julia Roberts, Duplicity

Best Performance by an Actor in a Motion Picture -- Musical or Comedy

Matt Damon, The Informant
Daniel Day Lewis, Nine
Robert Downey Jr., Sherlock Holmes
Joseph Gordon Levitt, (500) Days of Summer
Michael Stuhlbarg, A Serious Man

Best Performance by an Actress in a Supporting Role in a Motion Picture

Mo-Nique, Precious
Julianne Moore, A Single Man
Anna Kendrick, Up in the Air
Vera Farmiga, Up in the Air
Penelope Cruz, Nine

Best Performance by an Actor in a Supporting Role in a Motion Picture

Matt Damon, Invictus
Stanley Tucci, The Lovely Bones
Christopher Plummer, The Last Station
Christopher Waltz, Inglorious Basterds
Woody Harrelson, The Messenger

Best Animated Feature Film

Coraline
Fantastic Mr. Fox
Cloudy with a Chance of Meatballs
The Princess and the Frog
Up

Best Foreign Language Film

Barria
Broken Embraces
A Prophet
The Maid
The White Ribbon

Best Director -- Motion Picture

Kathryn Bigelow, The Hurt Locker
James Cameron, Avatar
Clint Eastwood, Invictus
Jason Reitman, Up In The Air
Quentin Tarantino, Inglourious Basterds

Best Screenplay -- Motion Picture

Up in the Air
It's Complicated
District 9
The Hurt Locker
Inglourious Basterds

Best Original Score -- Motion Picture

Michael Giacchino, Up
Marvin Hamlisch, The Informant
James Horner, Avatar
Abel Krozeniowski, A Single Man
Karen O. and Carter Burwell, Where the Wild Things Are

Best Original Song -- Motion Picture

"I Will See You," Avatar
"The Weary Kind," Crazy Heart
"Winter," Brothers
"Cinema Italiano," Nine
"I Want To Come Home," Everybody's Fine

Wednesday, 13 January 2010

HOLLYWOOD MOVIE





As with most of the popular-book-to-film adaptations, you can look at Youth in Revolt a couple of different ways: From the point of view of someone who has read the source material, and (of course) from the point of view of someone who hasn't. C.D Payne's epic, 499-page novel is to teenage angst what the bible is to Christianity -- and it's always sort of reminded me of what a sequel to The Catcher in the Rye might look like if it was set in modern-day (if somewhat outdated) Oakland -- and featured a 14-year-old Frank Sinatra fanatic who would literally destroy an entire city if it meant winning over the girl of his dreams.

The problem with Youth in Revolt (the book) is that it's practically impossible to smash 499 pages of dark comedic brilliance into an hour and a half on the big screen, and, as such, Youth in Revolt (the film) definitely ends up feeling disjointed and forced in some areas -- but thanks to a wickedly hilarious performance from Michael Cera (easily the best of his career), this brainy teenage sex comedy does manage to dole out a handful of great scenes, making it worthy of your hard-earned box office dollars ... but only if you promise to read the book afterwards.

Tuesday, 12 January 2010

The Lovely Bones




Packed with stunning visuals but marred by storytelling deficiencies, Peter Jackson's manipulative adaptation of Alice Sebold's beloved novel is a deeply unsatisfying affair.

Spider-Man 4

Poor John Malkovich. Just days after the endearingly eccentric Being John Malkovich star officially signed on to play the villainous Vulture in Spider-Man 4, Sony has apparently decided to pull plug on the entire project. According to beloved Hollywood muckraker Nikki Finke, ongoing problems with the film's script have caused director Sam Raimi to quit the production, citing his inability to finish Spider-Man 4 in time for its the planned released date of Summer 2011. After that monumental domino fell, star Tobey Maguire and other castmembers quickly followed suit, bringing Malkovich's lifelong dream of starring in a massively-budgeted comic book flick to a tragic end.

Sony responded to the news with an upbeat press release in suspiciously quick fashion, as if they'd somehow anticipated this shocking turn of events:

"Culver City, CA (January 11, 2010) -- Peter Parker is going back to high school when the next Spider-Man hits theaters in the summer of 2012. Columbia Pictures and Marvel Studios announced today they are moving forward with a film based on a script by James Vanderbilt that focuses on a teenager grappling with both contemporary human problems and amazing super-human crises."

Well, thank goodness Sony is sticking with the same writer whose problematic Spider-Man 4 script caused the film's director and the star to quit the entire franchise.

Monday, 11 January 2010

“The X Factor”


It’s official, Simon Cowell is leaving “American Idol” to launch “The X Factor” stateside.

Simon announced the news himself at FOX’s Television Critics Association panel in Pasadena, Calif., on Monday afternoon.

Cheryl Cole secrets


Cheryl Cole has spoken about losing her virginity.

The Girls Aloud star is raising a few eyebrows with her revelations.

It turns out she was underage.

The X Factor judge told Glamour magazine: "I was 15 when I lost my virginity, but I made my boyfriend wait three months, so I am really proud of myself for that."

Call us fuddy duddies, but we don't think tween icon Cheryl should be telling the world she's delighted she gave it up as a minor.

And as for "making him wait" - we've had apples in our fridge for longer than three months.
Cheryl and Ashley ColeCheryl and Ashley Cole will have been married for 10 years when Cheryl is 33
In a sharing mood, the 26-year-old also said she's never had a one night stand: "The thought of being intimate with someone you don't know really freaks me out.

"I think men should earn that intimacy."

The words "earn" and "sex" don't really sit well together, do they?

When asked if she regretted marrying at the young age of 23, she replied: "Not really - all the women in my family did the same.

"Before I met Ashley, I had only had three long-term relationships.

"I have quite an old-fashioned mentality and like the fact that by the time I am 33, Ashley and I will have been married for 10 years."

"Old fashioned" is not how we'd describe you, Cheryl.

Read some more sex talk from the stars in our gallery below.

Sunday, 3 January 2010

“The Twilight Saga"


According to his “The Twilight Saga: Eclipse” co-star, Bryce Dallas Howard, the British heartthrob chipped a tooth while flossing.

Bryce revealed the information after New York Magazine asked her about the big screen vampire’s personal hygiene as she promoted her new film, “The Loss of a Teardrop Diamond.”

“Actually, he’s incredibly hygienic,” she said. “He told me this story that made me crack up. He was like, ‘Oh, I have to go to the dentist.’ And I was like, ‘Oh no, what happened? Just a check-up?’ And he was like, ‘No, I chipped a tooth.’ And I was like, ‘How?’ And he was like, ‘Flossing.’ Who does that? I don’t even floss. So he’s hygienic. Trust me.”

And Bryce, who recently took over Rachelle Lafevre’s role as the evil vampire Victoria in “Eclipse,” revealed that Robert’s character in the film franchise – Edward Cullen – made her worry about meeting him.

“I actually came out to him that I was totally nervous about [meeting him],” the redhead said. “He’s such a sweet young man, and there’s such a distinctive difference between him and Edward Cullen. He does such a wonderful job embodying that character, and bringing that character to life. But when you meet him, he’s such a down-to-earth, humble person, you feel bad freaking out around him.”

Wednesday, 30 December 2009

HARRY POTTER & THE DEATHLY HALLOWS - PART ONEharry potter and the deathly hallows part 1


We all know why the Potter book has been split into two, and given how well the screenwriters condensed the last three, it's not because there's so much story to tell. Still, most fans would be happy to pay for the privelage of seeing an extra Potter movie, so why argue?

Harry and his cohorts are no longer confined to the school walls, rather, they're on the hunt for the Horcruxes, the elusive household items that hold the key to killing Voldemort.

Director David Yates proved a dab hand with the subject material, even though the Half Blood Prince was his feature film debut. Without the school and love potion subplots to worry about this time, there's a good chance Yates will make the next one the best so far.

A IOVE STORY


NEW* Dogging: A Love Story

Genre: (Sex) Comedy

Director: Simon Ellis

Stars: Luke Treadaway, Sammy T. Dobson, Richard Riddell, Justine Glenton

Story: A young journalist plucks up the courage to lose his inhibitions and hang around car parks to find out what this dogging thing is all about. But when he meets a girl in one particularly seedy car park, he finds the unexpected happening - he begins to fall in love.

It's not wholly sleazy this one, but it is a sex comedy in the vein of the old Confessions movies from the 70s.

2012 movies



It’s the end of the world as we know it when a solar flare sends the Earth’s core into meltdown. The ancient Mayans predicted it would all be over in 2012, but as far as divorced father John Cusack, scientist Chiwetel Ejiofor, and US President Danny Glover are concerned, humanity’s time is not up yet. After Independence Day and The Day After Tomorrow, director Roland Emmerich speeds us to doomsday for a third time with an eye-popping display of global pandemonium.

Monday, 28 December 2009

'Avatar' tops record box-office weekend for Hollywood



NEW YORK - It was a memorable and merry Christmas in Hollywood as moviegoers shattered box-office records, responding in droves to a diverse array of high-profile releases over the holiday weekend.

The estimated $278 million in weekend box-office revenue broke the previous record of roughly $253 million set in July 2008, the weekend "The Dark Knight" was released.

A diverse group of films drew throngs to the multiplexes: James Cameron's "Avatar" pushed strongly into its second week while "Sherlock Holmes," "Alvin and the Chipmunks: The Squeakquel" and "It's Complicated" all opened.

"Avatar," the 3-D epic, topped them all, earning $75 million for 20th Century Fox, according to studio estimates Sunday. Remarkably, that was only a 3 percent drop from its opening weekend total of $77.4 million. (Blockbusters typically drop 30-50 percent in the second weekend.) In its 10 days of release, "Avatar" has made $212 million domestically — and could be on its way to a worldwide gross of over $1 billion.

"This thing is going to be playing and playing, I can tell you that," said Bert Livingston, 20th Century Fox distribution executive. "There's a lot of business out there. Everybody's got good movies out."

In second was "Sherlock Holmes," Guy Ritchie's reboot of the franchise with Robert Downey Jr. starring as Arthur Conan Doyle's detective. The Warner Bros. film opened with a weekend total of $65.4 million, including a record Christmas Day debut of $24.9 million.

It was a start that seemed sure to pave the way for sequels. Dan Fellman, head of distribution for Warner Bros., called the result "sensational."

"Alvin and the Chipmunks: The Squeakquel," which opened Wednesday, took in $50.2 million on the weekend and $77.1 million in its five days of release. The film, also from Fox, earned an impressive $18.8 million on Wednesday alone. The strong start suggested that "Squeakquel" was likely to surpass its 2007 original, which made $217 million.